Publications: Books & Catalogs

2018

Multiply, Identify, Her. ICP Museum. Curated by Marina Chao. Published by A+L and the International Center of Photography. ISBN 978-0-933642-29-4. (→)

2017

Energy Charge: Connecting with Ana Mendieta: Simone Leigh, Gina Osterloh, Antonia Wright, Ana Teresa Fernandez & Kate Gilmore. Arizona State University Art Museum. Essays by Heather Sealy Lineberry, Julio César Morales, Anuradha Vikram and Raquel Cecilia Mendieta.  ISBN# 978-0-9644646-6-7.  (→)

2013

Group Dynamic | Gina Osterloh, published by Los Angeles Contemporary Exhibitions, Distributed by RAM publications, Designed by Willem Henri Lucas, Department Chair, Design & Media Arts, UCLA

(→)

2014

Demolition Woman, essays by Chong Dai Vo, Doris Chon and Catherine Wagley. Group exhibition catalog. Guggenheim Gallery, Chapman University, Anaheim, CA

2013

An Anthology of Art and Literature by Southeast Asian Women in the Diaspora: Troubling Borders, edited by Isabelle Thuy Pelaud, Lan Duong, Mariam B. Lam and Kathy Nguyen, published by University of Washington Press (→)
War Baby, Love Child: Mixed Race Asian American Art, edited by Laura Kina & Wei Ming Dariotis, published by University of Washington Press (→)

2008

Truthiness: Photography as Sculpture, UC Riverside and California Museum of Photography. Group exhibition catalog. Curated by Tyler Stallings.

2007

Body Double, Luckman Gallery, Cal State LA. Group exhibition catalog. Curated by Julie Joyce.

Press: Reviews & Interviews

2018

Enclave Review (ER). Interview with David Lloyd. Autumn 2018. (PDF ↓)
The Brooklyn Rail, Multiply, Identify, Her. Review by Anna Dunn (group exhibition) (→)
Contemporary Art Daily, group exhibition, “An Idea of a Boundary” (→)

2017

Artforum Critic’s Pick, group exhibition, “An Idea of a Boundary” by Jeanne Gerrity (→)
Art and Cake: A Contemporary Art Magazine with a Focus on the LA Art Scene, group exhibition, "Ours is a City of Writers." Collaboration with writer Sharon Mizota (→)

2015

The New Yorker Magazine, Gina Osterloh at Higher Pictures, Review by Vince Aletti (→) (PDF ↓)
The New York Observer, "12 Things to do in New York's Art World Before November 13 - Gina Osterloh at Higher Pictures" (→)
Musee Magazine, Gina Osterloh at Higher Pictures (→)
Postmodern Culture, Review of Monograph: Group Dynamic and Improper Light, by Janis Holm, Ohio University (PDF)

2014

Artforum Critics Pick July 2014 by Annie Buckley, Review of Solo Exhibition at François Ghebaly Gallery, LA (→)
Art Ltd, September 2014 by Shana Nys Dambrot, Review of Solo Exhibition at François Ghebaly Gallery, LA (PDF)
Queer Sites and Sounds, Center of Art + Thought (CA+T) online interview and exhibition, curated by Jan Christian Bernabe and interviewed by Matthew Andrews (→)

2012

The Space Between: Gina Osterloh’s “Shadow” Residency at LACE, Sharon Mizota, Artbound, KCET (→)
Transnational Identity, and the Subtleties of Being Seen: Exploring the Nexus of Artists Michelle Dizon and Gina Osterloh, Pilar Tompkins, Artbound, KCET (→)
Anonymous Front: Gina Osterloh, Art Practical Online, by Ellen Tani (PDF) (→)
Anonymous Front, exhibition brochure, Yerba Buena Center for the Arts, Essay by Paola Santoscoy, Interview with Julio Cesar Morales & Gina Osterloh (PDF)

2011

Cohen, Kris. BODY PROP.  Exhibition Publication, Silverlens Gallery, Philippines (PDF).
Bernabe, Jan Christian. Transitions: Asian American Time Based Art. Exhibition Publication, Sheehan Gallery, Whitman College, Washington.

2010

Grace, Shantel. Honolulu Weekly, Fall Picks - Gina Osterloh, September 1, 2010
Bhaumik, Sita. Artist Focus: Gina Osterloh. Hyphen Magazine, Issue #20, The Inside/Out Issue (→)
Davis, Ben. Spring Guide New York City, Village Voice, March 24, 2010
Ollman, Leah. “Minimum Yields Maximum at Monte Vista” Los Angeles Times, March 5, 2010. Curated exhibition.

2009

Mizota, Sharon. Artist Focus: “PAPERED OVER: Gina Osterloh’s Disappearing Act, Art on Paper, November/December 2009, Volume 14, pp.30-31 (PDF)
Buencamino, Yael. "Beyond Frame: Philippine Photomedia", Review. Philippine Daily Inquirer, Nov. 15, 2009
Buckley, Annie, Review of Solo Exhibition at Chung King Project, Los Angeles, CA, Art in America,  September 2009, p.154 (PDF)
Dambrot, Shana Nys, “Shooting Blanks”, Review of Solo Exhibition at Chung King Project, Los Angeles, CA, Artweek, May 2009 (PDF)
Wong, Martin, “Paper View,” Feature and Interview, Giant Robot, May/June 2009 (PDF)

2008

Gibson, Prue, "Beyond Frame: Philippine Photomedia", Review UTS Gallery curated by Gina Fairley, Art Monthly Australia Issue #216, December 2008, pp 31-33
Fairley, Gina, “Shooting Blanks”, Review of Solo Exhibition at Green Papaya Art Projects, Manila
Philippines, Art Asia Pacific, Issue No.60, Sept/Oct 2008, p.205 (PDF
Fairley, Gina, “Photography Rising”, Review of contemporary photography in the Philippines, Asian Art News, July/August 2008, pp 69-73
Datuin, Flaudette V. May, “Shooting Blanks,” Review of Solo Exhibition at Green Papaya Art Projects, Manila Philippines, 
                                            CTRL+P Journal of Contemporary Art, July 2008, pp 20-21

2007

Dawsey, Jill, “Blank Athleticism” Review of Solo Exhibition at [2ND Floor Projects], San Francisco, Critic’s Pick, Artforum online, October 2007 (PDF)
Riger, Cassie, “Blank Athleticism” Review of Solo Exhibition at [2ND Floor Projects], San Francisco, Artweek, Dec 2007/Jan 2008 Issue (PDF)
Myers, Holly, “Through a lens starkly”, Review of group exhibition Body Double, LA Times, Sept. 12, 2007
Dumancas, Pedro, “Galleon Trade: Fil-Am Exodus” Group Exhibition, Manila Philippines, Philippine Daily Inquirer, Aug 6, 2007